Daily Archives: August 9, 2012

It’s easy to fix Social Security. Here’s how…

I’ve got all these blog posts I’ve been meaning to write for weeks, and I need to catch up. Here’s one…

Way, way back on July 17, I attended an event over at the local AARP headquarters. It was a policy discussion of Social Security. The format was that we watched a couple of experts debate what to do about SS on a video feed, and then discussed it amongst ourselves. It’s been so long I forget who all was there, but some of them were Kester Freeman, former head of Palmetto Health; Peggy Hewlett, dean of the nursing school at USC; Mac Bennett, head of the local United Way; John Ruoff of The Ruoff Group; and Mary Kessler, director of the Capital Senior Center. There were about six others.

Our discussion was moderated by Jonathan Peterson, author of Social Security for Dummies. Really. I liked that.

The “experts” on the video feed were David John of The Heritage Foundation and Virginia Reno of the National Academy of Social Insurance. They spoke from predictably left and right perspectives. Guess which was which.

We were given a lot of data for coming up with our own solutions. I sort of knew what I thought we should do, but the data were helpful in confirming me in my opinion.

You can review some of the data at this website — although in a quick scan of what’s available there, I didn’t find it quite as helpful as the workbook we had at our session, which spelled out what each policy proposal would do. You might have fun, though, programming your own Social Security solution.

What’s my solution? It’s so easy, it’s pathetic that Washington seems so helpless on this issue:

  • Eliminate the cap on the payroll tax. That would fill 86 percent of the funding gap in the program. As Peterson said when I said this, it’s the closest thing to a “silver bullet,” if you can overcome the objections to doing it.
  • Raise the full retirement age to whatever you have to raise it to to get the other 14 percent. Raising it incrementally to 68 by 2028, and you fill 18 percent. So you’d have money left over. Ta-dahhh!

These two steps are no-brainers. It’s ridiculous that there’s a cap to start with, and the full retirement age should reflect the realities of modern longevity.

I’ve heard objections to eliminating the cap. All of them are ridiculous. This “tax increase,” as opponents call it, is nothing more than simply seeing to it that everyone pays the same tax all year — which is what 94 percent of the working population does already.

The cap right now is $110,100. Only 6 percent of the country earns more than that. Everyone below the line pays the 6.2 percent tax all year. People who make more get to a point in the year when they get a nice tax break — in fact, they no longer pay at all the tax everyone else keeps paying. And it is nice. I can tell you, as someone who used to get that break (starting at a time when the cap was much lower than it is now). It was nice to get a few hundred extra bucks just before Christmas. But if you’d taken it away from me, I wouldn’t have complained, because I thought it absurd that I got it. I certainly didn’t need it. I hadn’t in any way earned a special break that people who made less money didn’t get. It was regressive as hell, and I knew it.

What’s the worst thing that someone losing the cap would suffer? He’d have to pay the same tax he paid the rest of the year, only all of the year. He’d be fine. And no, it wouldn’t be a disincentive to earn more — it would still only be 6.2 cents of every dollar.

Another stupid objection: Lifting the cap would mean millionaires could retire on $150,000 a year. So? Big deal. It would fix the system, and we ought to do it now.

I could present objections to raising the retirement age and knock them down, too, but I’d rather move on to your comments.

FYI, next week AARP has invited me to another one of these discussions. This one is about Medicare…

The alleged Top Ten best films of all time

There are things that run through my mind when I see Kim Novak. "Great actress" isn't one of them.

Roger Ebert brings my attention to this report by Alexander Hull on this decade’s Sight & Sound Top 10 Greatest Movies of all Time. Hull starts out:

The recent unveiling of Sight & Sound‘s 2012 list of the Top 10 Greatest Movies of all Time brings with it the inevitable chatter that accompanies most lists taking authoritative stabs at qualifying the best of, well, anything. Cinephiles scan for snubs, ranking quirks, and whatever consistencies and trends they can glean from the list. Released every ten years since 1952 and voted upon by hundreds of critics and industry professionals, Sight & Sound has long been seen as a definitive voice in cinema-culture consensus. This time around, though, there’s one gleaming omission from the Sight & Sound list: modern films. The top 10 doesn’t include any movie made in the last 44 years, and the Top 50 only features 13 films since the 1970s (only six since the 1980s)….

To be sure, there’s something obviously preposterous about saying that the decades after the release of 2001: A Space Odyssey in 1968 have produced no films worthy of inclusion in the top 10. If a movie is a masterpiece, it should be ranked as a classic, regardless of how old or young it is—right? Since 1968 (or the 1970s if you’re looking at the Top-50 list) cinema has offered countless great, widely acclaimed films. The critical question, as voiced by New Statesman‘s Ryan Gilbey: “Are those who voted paralysed by history or are the finest films really located in the distant past?”

But I’d argue that the voters are not as paralyzed as some might suspect. The new Sight & Sound list actually does represent a move—a small move—towards the modern. Citizen Kane lost its top spot to Vertigo, a movie 17 years its junior. And compared to the 2002 version, this year’s top-50 breakdown features fewer works from the years between 1920 and 1950 and more from the years between 1960 and today. These incremental shifts towards the new (well, newer) certainly suggest change is happening and that modern films are becoming canonized. It just also suggests that the canonization process is very, very slow.

Personally, I’d suggest that the methodology of this survey is lacking. This comes across like the consensus opinions, reflecting a discernment process lasting centuries, of the Old Ones in Heinlein’s Stranger in a Strange Land. (And by the way, why hasn’t that been made into a movie yet?)

Other reports have noted the fact that “Citizen Kane” has been toppled from the No. 1 spot. Which would be fine with me — I find the constant ranking of that admittedly excellent film on the tops of such lists rather monotonous — if only it were replaced by something awesome.

But instead, it’s replaced by Hitchcock’s “Vertigo” — a film that, to be honest, I can’t remember whether I’ve seen. Film buffs aren’t supposed to admit things like this, but frankly, some of Hitchcock’s films run together in my mind. Of course, if it’s the best movie of all time, certainly I haven’t seen it, or I’d remember, right?

But then, my tastes are seldom those of the kinds of people who assemble these lists. For instance, there’s the overabundance of foreign films, which too few Americans are regularly exposed to. Yes, there’s Netflix now, and I do order foreign DVDs (how else could I have been exposed to the wonderful “The Lives of Others?” But it’s not like I’ve seen it 10 times in theaters, starting when I was young — which I suspect is the case with New York or Los Angeles-based critics. Because those are the kinds of movies they seem to be into — ones that prove themselves over and over. I don’t know if I’m explaining myself well. But I’ve often thought that maybe if I were exposed to “Citizen Kane” more often, I’d realize how awesome it is. But I haven’t been, and I don’t.

Here’s what I think of the films in this new list:

  1. Vertigo” — OK, so I’ll put it on my Netflix list to make sure I’ve seen it. I’ll only pass on something my wife said last night. “Pal Joey” was on the tube while we were getting ready to have dinner, and she said something like, “What made anyone put ‘Kim Novak’ and ‘acting’ together?” I couldn’t answer her.
  2. Citizen Kane” — Again, maybe if I watch it over and over I’ll get hypnotized into thinking it’s awesome, but it might be too late. It’s been the butt of too many jokes playing on elements of the film that have become cliches. But it did produce some awesome b/w stills, I’ll say that.
  3. Tokyo Story” — Since the article doesn’t tell me, I don’t even know what it is about.
  4. La Règle du jeu” — Ditto. Another one for the Netflix queue, I guess.
  5. Sunrise: A Song of Two Humans” — Same deal. This is getting monotonous.
  6. “2001: A Space Odyssey” — A masterpiece, all right, although not one of my faves. I do happen to own it on Blu-Ray — it’s one of the first I went out and got when I first got a Blu-Ray player — and watched it again recently. The cinematography in the early scenes of the Pan-Am flight to the moon are great — the ballet of the spheres, and so forth — as are the scenes between Dave and Hal, as the quiet tension builds. But something struck me, as happens sometimes with pre-MTV films — I’m struck at how slow the pace is, and while I’m impressed with all the majesty, I get a little antsy.
  7. The Searchers” — Another I’ll have to see again, and try, try to understand why so many critics rate it above “Stagecoach” or “My Darling Clementine,” or “High Noon.” Probably something esoteric.
  8. Man with a Movie Camera” — As Soviet films go, I’ve at least heard of “Battleship Potemkin.” This, no.
  9. The Passion of Joan of Arc” — Yeahhh… that’s one of those I kind of knew I should probably see sometime, but haven’t quite gotten around to…
  10. 8 1/2” — OK, now this one I think I started to watch once, out of a sense of duty, but I didn’t finish it. Guess I should try again.

Basically, I think those who contributed to this list have achieved their goal: They’ve made me feel like an uncultured boob.

Now, for a regular ol’ unpretentious, red-blooded, All-American, pure vanilla Top Ten list. I’ll give my reasons for the my picks some other day:

  1. It’s a Wonderful Life
  2. The Godfather
  3. Casablanca
  4. The Graduate
  5. High Noon
  6. Saving Private Ryan
  7. The Natural
  8. “Hoosiers”
  9. His Girl Friday
  10. Mean Streets

And as a bonus, here are five more to chew on:

  1. The Year of Living Dangerously
  2. Gran Torino
  3. In the Line of Fire
  4. Young Frankenstein
  5. Goodfellas

Alla you foreign film buffs, get offa my lawn!