I hadn’t intended to do this. There’s something inherently uncool in doing such an obvious, vanilla, whitebread Top Five List. Barry would never stop giving me grief about it, if Barry actually existed. Actually, I suspect Jack Black would never let up, if he found out about it. So don’t tell him.
Actually, a cool list would be, say, a Jack Black list.
But no, this is about the ultimate whiteguy A-lister from a generation ago, or more. I mean, next we’ll be doing, I dunno, a Clark Gable list or something. Or so Barry would say.
But I have to do this to set things right. In a recent comment on this blog, reacting to a side conversation about a clip from “Three Days of the Condor” — really a Max Von Sydow conversation, not about Redford at all — Bryan Caskey snuck up while I wasn’t looking and posted this:
Top Five Robert Redford Movies
1. Jeremiah Johnson
2. The Sting
3. Butch Cassidy and the Sundance Kid
5. Spy Game
Ahhhhh! No way! Totally apart from the very worst thing about it — more on that in a moment — he put “The Sting” (a relatively desperate attempt by Hollywood to recapture the Newman/Redford magic of the previous) above “Butch Cassidy and the Sundance Kid!” That should have cancelled the whole list outright, but there it is, still on this blog, and I feel responsible and must set the record straight.
So, here is the official bradwarthen.com Top Five List for Robert Redford.
But wait. I didn’t mention the worst thing: He left “The Natural” off his list altogether! We’re talking about a film that not only makes my Top Five list for all sports films, but is at the TOP of my Baseball Movies list! And he’s a sports guy and I’m not!
So anyway, here is the official bradwarthen.com Top Five List for Robert Redford:
- Butch Cassidy and the Sundance Kid — I probably wouldn’t start the list with this — the second and third films are better — but this is a Robert Redford list, and without this film, we wouldn’t know who Robert Redford is. Also… it’s a unique Redford movie. It’s the only film he appeared in in which his character was cool. After that, he competed with himself to see how uncool he could make his characters. Including Roy Hobbs. Definitely including Jeremiah Johnson, the dullest Mountain Man in the Rockies. The Sundance Kid is one of the coolest characters ever in a Western. Watch, and see what Redford did with him — and then tell me one other character he did that with. You can’t. Newman’s characters were almost always cool. Redford’s never were.
- All the President’s Men — Every time I see this film, I’m blown away at how good it was. I don’t remember being that impressed with it when it was new, but it’s amazing. And it’s because of the little things. It has the most realistic depiction of the interview process that I’ve ever seen. The naturalistic awkwardness that Redford as Woodward and Hoffman as Bernstein experience as they try to get people to talk to them and put their story together is probably painful for laypeople to watch — but if you made your living doing that kind of thing, you’d recognize it, and be impressed. And you’ll also see why I preferred being an editor to going through the daily grind of being a reporter. It’s very, very real.
- The Natural — To Bryan’s credit, I was reminded of this film’s awesomeness when Bryan put this video on Twitter, with its invitation, “If you’re missing baseball, watch this.” You should definitely watch that compilation, and think about how much poorer it would be without the clips from “The Natural.” That film corrected a huge literary mistake, committed by Bernard Malamud. Malamud’s novel stripped all nobility from Roy Hobbs, and condemned him not only to lose in the end, but to deserve it. Totally depressing. It totally missed why Americans, back when they were real Americans, loved baseball. The film understood all of that, was unembarrassed about it, and crammed it all in with no apology.
- The Great Gatsby — If you try to look this up on IMDB now, they’ll show you the Leonardo DiCaprio version, which is just sad. There’s a certain amount of personal involvement here: This was the movie that inspired me to wear a white linen suit when I got married that same year. (Try even finding one of those.) But it’s great. No one can sound as plain and uncool as Redford calling people “old sport.” It’s pure mastery. And it has Sam Waterston — and Edward Herrmann in a cameo, playing the piano! Oh, and see if you can find the guy who played Hershel Greene in “The Walking Dead” — he’s in it! In a key role! (Talk about a guy with a cool Top Five list!)
- The Candidate — I was going to put Jeremiah Johnson here, but I didn’t, just to be cantankerous. Jeremiah’s good, but it’s maybe too popular among my more libertarian friends, who think that being a mountain man is a sensible way to live. So I thought I’d go with something that in its own way was kind of groundbreaking — the story of a political candidate who only ran because he was promised he would lose — and has Peter Boyle as a political operative.